POP CULTURE: October 2025

Friday, 31 October 2025

✨ Feeling like your visibility is stuck, even though you’re grinding non-stop?

✨ Wondering why, no matter how much you create, it feels like the world isn’t noticing?
✨ I’m walking you through the hidden patterns that keep creatives like you hiding in plain sight… and how to flip the switch.

I’ll break down:
1️⃣ The subconscious blocks that dim your natural shine
2️⃣ Why momentum stalls just as you’re about to level up
3️⃣ A 3-phase method to activate your “It Factor” on command

💫 Plus… stay till the end and I’ll guide you through a meditation designed to lock in your next level in real time.

👀 If you’ve been circling the same breakthroughs over and over…
🌀 Or if every time it’s your momen

Lessons for Roger

How to Make a YouTube Playlist

1. Sign in to YouTube

Go to youtube.com and sign in with your Google account.
You need to be signed in to make playlists.

2. Find a music video you like

Search for the song or artist you want.
Click on the video to open it.

3. Add the video to a playlist

Under the video, click “Save” (it looks like a little plus or folder).
You will see a menu:
- Create new playlist → click this if you want a brand new playlist.
- Add to existing playlist → if you already have playlists.

4. Name your playlist

Type a fun name like “My Favorite Songs” or “Party Music.”
Choose privacy:
- Public → anyone can see it.
- Unlisted → only people with the link can see it.
- Private → only you can see it.

5. Add more videos

Every time you find a song you like, click Save → choose your playlist.

6. Share your playlist

Go to Library → find your playlist → click it.
Click Share → copy the link → send it to friends.

Tips:

You can rearrange songs by dragging them up or down in the playlist.
You can make the playlist cover picture cool by clicking Edit → Change cover.

https://pop-the-cherry-say-i.blogspot.com/2025/10/lessons-for-roger.html

Why Signing with a Publishing House Could Be Your Next Big Move

Hey, artists! If you’re creating your own beats, writing lyrics, or producing tracks, you might be wondering: “Do I need a publishing deal or a record label?” Here’s the scoop.

Publishing = protects the song itself and earns royalties whenever it’s played. That means every time your track hits the radio, gets streamed, or is used in a commercial, you get paid. A publishing house helps you register your songs, collect these royalties, and even pitch your music for licensing opportunities.

Label = helps you turn the song into a product (recording) and sell it to an audience. They can fund your recording, distribute your music, and market it to fans—but they often own the actual recording, not the song itself.

If you’re serious about keeping control of your creations and getting paid for every play, a publishing house is a smart move. Think of us as your partner in protecting your art, so you can focus on making music that moves people.

Thursday, 30 October 2025

1. Social isolation as a formative factor

Rory grows up largely outside a peer network. Her main companionship comes from Lorelai and family, which creates a social lens heavily influenced by adult perspectives.
She learns manners, humor, and problem-solving from adults rather than peers, giving her an intellectual maturity but limited early social “playground skills.”

2. Peer relationships are mostly new and deliberate

Dean, and later other peers like Lane, Jess, and Logan, are all introduced as “new” relationships, not continuations from childhood.
This allows the show to present her friendships and romances as conscious choices — Rory is actively building her social world instead of relying on long-standing bonds.
There’s an underlying tension: because she didn’t have a robust childhood peer network, she sometimes struggles with peer norms, jealousy, or romantic expectations (e.g., her early discomfort with Dean’s behavior, or her later awkwardness with Logan’s social world).

3. Romantic relationships as social experiments

Rory’s first romance with Dean highlights her inexperience: she approaches it cautiously and is guided by both curiosity and Lorelai’s advice.
Her limited peer background means she interprets romantic signals differently than someone with extensive childhood friendship experience — she doesn’t have a long history of negotiation, conflict resolution, or shared social context to draw on.

4. Friendships as deliberate character mirrors

Lane, Paris, and even Lorelai’s friends serve as mirrors to Rory’s own social learning. Their established personalities, cliques, or social expectations highlight what Rory lacks — shared history and peer grounding.
The show often uses Rory’s new relationships to dramatize her coming-of-age: each friendship or romance is a “test” of her emotional and social development, rather than a natural continuation of childhood bonds.

5. Long-term effects on identity

Rory’s reliance on adults early on fosters independence, ambition, and intellectual curiosity, but it also leaves gaps in her social self-confidence.
Her peer relationships are more fragile and more likely to reflect idealized notions of friendship or romance rather than realistic give-and-take rooted in childhood experience.
This partly explains some of the social and romantic missteps in later seasons — she’s learning from scratch in a world where others may have years of shared experience.

In short: Rory’s early lack of childhood friends is a deliberate narrative choice that makes her social development an active storyline. It emphasizes her unique relationship with her mother and sets up her adolescence as a period of conscious, sometimes awkward, experimentation in friendships and romance.

Wednesday, 29 October 2025

<table border="1" cellpadding="8" cellspacing="0" style="border-collapse: collapse; width: 100%;"> <thead> <tr style="background-color: #f2f2f2;"> <th>Risk Level</th> <th>Approach</th> <th>Time & Effort</th> <th>Probability of Success</th> <th>Potential Payoff</th> <th>Alignment with Rapid Fame</th> </tr> </thead> <tbody> <tr> <td>Low Risk</td> <td> • Submit songs to stock music libraries or indie/student projects<br> • Small-scale social media campaigns </td> <td>Low (1–2 hrs/week)</td> <td>High for small wins, low for broad fame</td> <td>Low–Moderate (minor exposure, small revenue)</td> <td>Poor – unlikely to break beyond core fans quickly</td> </tr> <tr> <td>Medium Risk</td> <td> • Target mid-tier indie films, TV shows, web series<br> • Pitch to music supervisors with prepared materials<br> • Collaborate with slightly larger artists </td> <td>Medium (3–5 hrs/week, some skill-building)</td> <td>Moderate – some placements likely, some may fail</td> <td>Moderate–High – placements could reach thousands, possibly viral</td> <td>Fair – accelerates visibility while safer than all-in gambles</td> </tr> <tr> <td>High Risk</td> <td> • Pitch to top-tier shows, streaming hits, or major films<br> • Hire PR/licensing reps for professional submissions<br> • Create viral campaigns or high-profile collaborations </td> <td>High (near full-time, high skill required)</td> <td>Low – highly competitive, many failures expected</td> <td>Very High – a single hit could exponentially increase fame and streams</td> <td>Excellent – fastest path to rapid fame but costly in effort & risk</td> </tr> </tbody> </table>

OP CULTURE

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