Saturday, 8 November 2025

 This is what AI says about me and my tag #scholx which is now being used by a scam school as well which is not ideal:



The hashtag #scholx on Twitter is primarily used in social media posts related to contemporary art, creative projects, and local Toronto references, often tagging artworks, artists, and inspirational content.

Usage

 
and Context

How to Explore #scholx

  • On Twitter/Xsearching for #scholx will show recent tweets using the hashtag, which often include images of artwork, links to exhibitions, or artist profiles.
  • Users interested in contemporary art trends or local Toronto creative projects can follow this hashtag to discover new artworks or artists.
  • Combining #scholx with other hashtags like #artiststudio, #emergingart, or #contemporaryart can help target searches more precisely.













 

Thursday, 6 November 2025




August 2025


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Video link

https://youtu.be/n0LJjpKs89Q



Comix Artists Interview Michael Del Mundo raw


Michael Del Mundo (sometimes stylized Mike Del Mundo) is a Filipino-Canadian comic book artist and cover illustrator.


Known for his surreal, painterly style, he’s done major Batman, Thor, Avengers, and Spider-Man covers for Marvel and DC.


In 2025, he appeared at Fan Expo Canada (Toronto) and participated in artist interviews and panels — some clips circulate under hashtags like #Marvel #Interview #Scholx #GreatGuyAAA #GreatGuyTV,


He’s won multiple Eisner nominations, particularly for his work on Avengers, Weirdworld, and Elektra.


He often collaborates with writer Jason Aaron and colorist Marco D’Alfonso (another Toronto-based artist).


#michealDelmundo


The Feminist to Far Right Pipeline Is Sicker Than We Thought

Tuesday, 4 November 2025

 

Spy Workshops for Artists

Think of this as creative training that mixes art with strategy games.
Artists learn how to simulate real-world problems — like spies or planners do — and turn those simulations into art, performances, or stories.


The Main Ideas

Simulations → Practice runs for big ideas.
Artists test choices, explore “what if” questions, and find new creative angles.

Workshops = Creative Residencies
Artists spend time designing and running short, playful “crisis” or “mission” sessions. These become the start of new performances, songs, or installations.

Matrix Games = Team Improvisation Labs
Groups act out situations (like a housing crisis or climate emergency). Everyone plays a role, makes decisions, and sees how their choices affect others.
👉 Great for drama, sound design, or community storytelling.

Red-Teaming = Friendly Critique
Invite others to challenge your project — to find weak spots before you show it publicly. It’s like a rehearsal where the goal is to make your art stronger and safer.

After-Action Reports = Artist Reflections
After a show or simulation, artists write down what they learned, what surprised them, and what could improve next time. These reflections become part of your professional portfolio.

Method Portfolio = CV for Play
Show how you create, not just the final piece. Funders and curators love to see your process and research.


How to Add This to the Helping Artist Program

1. Simulation Residencies (1–2 weeks)
Artists create and run a short scenario (2–4 hours) for the community.
Output: a mini-performance, a short written reflection, and a summary of how the “game” worked.

2. Monthly Matrix Labs (1.5–2 hours)
Pick a social theme — housing, climate, technology, etc.
Artists lead; participants play roles. The results can inspire new art, scripts, or sound pieces.

3. Red-Team Critiques (before shows)
Invite outsiders (like journalists or community members) to “stress test” the art.
Find ethical or practical issues early, then adjust.

4. From Play to Policy (short course)
Teach artists how to turn creative experiments into real-world insights — how to write reports, find patterns, and make funders care.

5. Portfolio Building
For each project, include:

  • 1-page summary of the game or process

  • 2–4-page reflection

  • Short video (about 3 minutes)

  • One paragraph of key insights

6. Build Connections
Link with universities, museums, and community labs.
Later, bring in professionals from strategy and “war-gaming” groups as guest critics.

Spartacus (Starz series) was deliberately written with a Shakespearean cadence, t

 

  • Creator Steven S. DeKnight said he wanted the dialogue to sound “heightened and poetic,” giving it an epic timelessness rather than straight realism.

  • The writers often dropped articles and conjunctions, giving that clipped, rhythmic feel (“You dare speak thus to me?” / “Blood calls for blood!”).

  • The tone drew comparisons to Shakespearean tragedy — betrayal, ambition, doomed love, moral corruption — all framed in grand speech and bloody spectacle.

  • Critics in outlets like The A.V. Club and The Atlantic described the dialogue as “quasi-Shakespearean Latin English,” somewhere between Julius Caesar and 300.

Spartacus (Starz series) was deliberately written with a Shakespearean cadence, though simplified and modernized for clarity.


https://pop-the-cherry-say-i.blogspot.com/2025/11/spartacus-starz-series-was-deliberately.html

Sunday, 2 November 2025

freedom fries all over again. Bill Maher?

Bill Maher: The Left’s Exiled Prophet

Bill Maher’s ouster from Politically Incorrect in 2002, after his post-9/11 remarks questioning the word “cowardly,” marked a turning point in the left’s evolution. At that moment, Maher was defending free speech from within the liberal tradition — yet when the political climate turned punitive, he became expendable.

It’s worth remembering that Maher helped drag the left out of its moral stupor during the Bush years: defending civil liberties, mocking hypocrisy, and daring to criticize religion when few others would. But as the left drifted toward identity politics and social-media moralism, he found himself exiled once again — this time by the very movement he had helped awaken.

The one consistent thing about Bill Maher is that he’s always stood against American hypocrisy and imperialism. He did it first during the Bush years, when even the so-called left was busy eating “freedom fries” and cheering for war. And he’s doing it again now, when that same left has lost its grip on reality — confusing symbolic oppression with the real thing, and forgetting that the world exists beyond America’s borders.

Meanwhile, in Canada, our own media wastes airtime on the same kind of moral theatre — freedom fries all over again.

Saturday, 1 November 2025

 

Historical Cosplay & Geek Festivals — Ontario

Anime North – Toronto, ON (May 23‑25, 2025 & historical runs since 1997)

  • Founded by seven anime fan-clubs from Toronto, Ottawa, and Hamilton. This has become Canada’s largest anime convention.

  • Trivia: Its Saturday Masquerade cosplay contest is a major draw for costuming craftsmanship. Bands can tap into anime/manga audiences for crossover performances. (animenorth.com)

Cosplay Matsuri – Toronto, ON (Aug 12, 2017)

  • Held at the Ontario Science Centre as part of a “space for all cosplayers to share their passion,” featuring panels, workshops, and guest speakers.

  • Trivia: It was part of the Unplugged Expo × Cosplay Matsuri programming for Sept 13‑14, 2019, showing some follow-through.

  • Band angle: Anime, gaming, and cosplay crowds could have fit a crossover set perfectly.

  • Status: Historical record; no listings beyond 2019 under that brand. (videogamecons.com)

Atomic Lollipop – Toronto, ON (July 17‑19, 2015)

  • A quirky “Canada’s weirdest festival” at the Ontario Science Centre, blending carnival rides, cosplay, burlesque, DJ sets, lightsaber battles, and more.

  • Trivia: Featured a Prozzäk reunion show, an Elijah Wood DJ set, and even a kangaroo. Perfect mix of pop-culture spectacle and audience interactivity.

  • Band/Vendor tip: Marketplace + cosplay audience offered an ideal setting for anime/folk or gaming-themed music sets.

  • Status: Historical event; no recent editions found. (newswire.ca)

 Edmund Scholz Master List




🏰 Canadian Medieval & Renaissance Events — Ed Scholz's Master List 2025

Ontario

🧝 Robin in the Hood Medieval Festival — Elmira, ON (Early May)
This is one of Ontario’s earliest annual medieval fairs. Started in the late 1990s by local teachers and theatre folks, it’s a Robin Hood–inspired charity event. The festival became a community classic — archery, knights, and even a “Ye Olde Food Court.” The founder once said they aimed to “teach through play,” echoing medieval morality pageants.

👑 The Royal Medieval Faire — Waterloo, ON (Mid September)
Running since 1998. It’s held in a park that becomes a fantasy kingdom for one day. Waterloo’s Faire has a soft spot for Shakespearean improvisation and tends to feature local university drama grads — a nice bridge between academia and performance.

🦅 Oxford Renaissance Festival — Woodstock / Thorndale, ON (~June 14–16 2025)
Fun fact: their “siege weapons” demos come from engineers at Fanshawe College. Started small but has grown to full jousts and falconry. Occasionally pulls in performers from the Michigan Ren Fest — cross-border cultural pollination at its best.

⚔️ Upper Canada Village Medieval Festival — Morrisburg, ON (Early June)
Set inside one of Canada’s largest 19th-century living history sites — a bit of an anachronistic backdrop for a medieval event, but that’s part of its charm. The festival’s status has fluctuated, but sword-craft and pageantry linger on in smaller summer events there.

🎭 Country Renaissance Festival — Milton, ON (Early June)
Defunct but legendary — late 2000s to mid-2010s. Some of its crew later migrated to help found Ontario Pirate Festival and Oxford Ren Fest. It was one of the first to combine country fair vendors with historical combat.

🧚 Faery Fest’s Enchanted Ground — Guelph, ON (Mid June, defunct since 2016)
Part ren-fair, part fae gathering. It blurred the line between Celtic folklore and cosplay long before Comic-Con culture took off. The original founders also organized fantasy writing workshops and druid-inspired ceremonies.

🪙 Treasureventure — The Adventure Festival — Rockton, ON (Mid June, defunct)
Think “renaissance fair meets scavenger hunt.” The event encouraged visitors to solve historical riddles for prizes. Conceptually ahead of its time — something between LARP and escape room culture.

⚜️ Kingdom of Osgoode Medieval Festival — Osgoode Village, ON (Early July, hiatus since 2019)
This one was pure community magic: volunteers built an entire “kingdom” with its own lore and yearly story arc. Their motto was “Where History and Fantasy Meet.” In 2017, their “Dragon Quest” storyline even made local CBC coverage.

☠️ Pirate Festival (a.k.a. Ontario Pirate Festival) — Guelph region, ON (Aug 2–4 2025)
Originally in Milton, later Guelph. A pirate haven for rogues and history buffs alike. Features sea shanties, fencing demos, and rum tastings. Interestingly, several Ontario ren-faire bands (like Oromand’s Torch) first performed here before touring the U.S. circuit.

🛡️ Glengarry Renaissance Festival — Maxville, ON (May 31–June 1 2025)
Advertised as “a trip to a Scottish village in the 1500s.” Founded by a group of historical reenactors who wanted something halfway between the SCA and a tourist fair. Fun fact: Glengarry County has actual Scottish heritage — so the accent isn’t just for show.

⚖️ Barony of Ben Dunfirth (SCA) — Hamilton/Brantford/Burlington area, ON
Not a public festival, but a reenactment society dedicated to pre-17th-century crafts, combat, and calligraphy. They trace their name to an old Scots translation meaning “fort of the fortitude.” The group has been active since the 1970s — practically living history in its own right.

🏰 Black Creek Pioneer Village Medieval Weekend — Toronto area (June 20–22 2025)
Black Creek’s roots are 1800s, but for one weekend, it pretends it’s the 1400s. The juxtaposition of red-brick Victorians and chainmail is charmingly off-beat.

🎺 Fergus Medieval Faire — Fergus, ON (July 26 2025)
A smaller town faire that leans toward community pageantry. Fergus has long Celtic ties, so expect pipes, tartans, and bardic storytelling.


🌊 British Columbia

BC Renaissance Festival — Langley, BC (Late July)
Started as a small reenactment weekend in the mid-2000s. Had a “merry anarchy” vibe — closer to early Burning Man than a polished fair. Currently semi-dormant, with rumoured revivals every few years.


Nova Scotia

Privateer Days — Liverpool, NS (July)
Historical rather than pure fantasy — marks Liverpool’s 18th-century seafaring heyday. One of the oldest maritime heritage festivals in Canada.

Pirates of Jeddore Festival — Mitchell Cove, NS (September)
A more modern, family-oriented event celebrating pirate folklore along Nova Scotia’s Atlantic coast.


🇺🇸 U.S. Fairs within ~200 km of Canada

Michigan Renaissance Festival — Holly, MI (Aug 16–Sept 28 2025)
Huge and deeply theatrical. Dozens of Ontario performers cross the border each year. Fun fact: One of their original jousters later became a fight choreographer for Game of Thrones.

Sterling Renaissance Festival — Sterling, NY (July–Aug 2025)
One of the oldest continuously running ren fairs in North America (founded 1976). Its Elizabethan village was hand-built over decades, giving it unmatched authenticity.

Vermont Renaissance Faire — Stowe, VT (June 21–22 2025)
Smaller, cozier, and surprisingly philosophical — local reenactors pride themselves on “edu-tainment.” Good mix of Roman, Viking, and Celtic displays.


🏺 Pre-1700 / Classical Notes

No major Roman or Greek-only public festivals in Canada yet — but several SCA groups, historical fencing schools, and archaeology clubs do reenactments. Ontario’s Legio XX Valeria Victrix reenactment group sometimes performs at museum events.
Closest full-scale “ancient world” fairs are in the U.S. Northeast (New York, Pennsylvania).



:


Learning Japanese “Because” with ので: A Simple Guide

Have you ever wanted to explain why something happened in Japanese without sounding harsh? Today, we’ll learn how to use ので (node), a polite way to say “because,” especially handy when talking about feelings, situations, or food.


1. The Basics: ので

ので is a conjunction used to explain a reason politely.

Structure:
[Reason clause] + ので + [Result/main action]

Example:

私はとても忙しいので、たまにメールをチェックするだけです。
Watashi wa totemo isogashii node, tamani mēru o chekku suru dake desu.
"Because I am very busy, I only check emails occasionally."

Breakdown:

  • 私は (watashi wa) – I

  • とても忙しい (totemo isogashii) – very busy

  • ので (node) – because

  • たまにメールをチェックするだけです (tamani mēru o chekku suru dake desu) – only check emails occasionally

Notice how ので softly connects the reason with the main action—much softer than just saying から.


2. Practice with Food

Japanese often uses adjectives when talking about experiences—especially food!

Example 1: Eating because hungry

English: I ate lasagna because I was hungry.

Japanese:
私はお腹がすいたので、ラザニアを食べました。
Watashi wa onaka ga suita node, razania o tabemashita.
"Because I was hungry, I ate lasagna."

Example 2: Because it wasn’t very good

English: Because it was Walmart lasagna, it wasn’t very good.

Japanese:
Walmart のラザニアだったので、あまりおいしくなかったです。
Walmart no razania datta node, amari oishikunakatta desu.
"Because it was Walmart lasagna, it wasn’t very good."


3. Using ので with Adjectives

Quick trick for using adjectives with ので:

  1. Start with the adjective

    • おいしい (oishii) – delicious

    • 忙しい (isogashii) – busy

    • 寒い (samui) – cold

  2. Past tense if talking about something that happened

    • Positive: おいしかった – was delicious

    • Negative: おいしくなかった – wasn’t delicious

  3. Add ので to make “because …”

    • おいしかったので… – because it was delicious

    • おいしくなかったので… – because it wasn’t delicious

  4. Finish the sentence with your main action

    • おいしかったので全部食べました。 – Because it was delicious, I ate it all.

    • おいしくなかったので残しました。 – Because it wasn’t delicious, I left some.


4. Casual Speech

In everyday conversation, you can drop 私は and です for a more natural feel:

  • Onaka ga suita node, razania tabeta. – I was hungry, so I ate lasagna.

  • Walmart no razania datta node, amari oishikunakatta. – It was Walmart lasagna, so it wasn’t very good.

This is how native speakers often speak with friends or family.


Summary

  • ので = polite “because,” softer than から

  • Works with verbs and adjectives

  • Use past/negative forms for talking about events

  • Great for explaining reasons for actions, especially with food or feelings



Friday, 31 October 2025

 ✨ Feeling like your visibility is stuck, even though you’re grinding non-stop?

✨ Wondering why, no matter how much you create, it feels like the world isn’t noticing?
✨ I’m walking you through the hidden patterns that keep creatives like you hiding in plain sight… and how to flip the switch.

I’ll break down:
1️⃣ The subconscious blocks that dim your natural shine
2️⃣ Why momentum stalls just as you’re about to level up
3️⃣ A 3-phase method to activate your “It Factor” on command

💫 Plus… stay till the end and I’ll guide you through a meditation designed to lock in your next level in real time.

👀 If you’ve been circling the same breakthroughs over and over…
🌀 Or if every time it’s your momen

Lessons for Roger

 

How to Make a YouTube Playlist

1. Sign in to YouTube

  • Go to youtube.com and sign in with your Google account.

  • You need to be signed in to make playlists.

2. Find a music video you like

  • Search for the song or artist you want.

  • Click on the video to open it.

3. Add the video to a playlist

  • Under the video, click “Save” (it looks like a little plus or folder).

  • You will see a menu:

    • Create new playlist → click this if you want a brand new playlist.

    • Add to existing playlist → if you already have playlists.

4. Name your playlist

  • Type a fun name like “My Favorite Songs” or “Party Music.”

  • Choose privacy:

    • Public → anyone can see it.

    • Unlisted → only people with the link can see it.

    • Private → only you can see it.

5. Add more videos

  • Every time you find a song you like, click Save → choose your playlist.

6. Share your playlist

  • Go to Library → find your playlist → click it.

  • Click Share → copy the link → send it to friends.

Tips:

  • You can rearrange songs by dragging them up or down in the playlist.

  • You can make the playlist cover picture cool by clicking Edit → Change cover.

https://pop-the-cherry-say-i.blogspot.com/2025/10/lessons-for-roger.html

 

Why Signing with a Publishing House Could Be Your Next Big Move

Hey, artists! If you’re creating your own beats, writing lyrics, or producing tracks, you might be wondering: “Do I need a publishing deal or a record label?” Here’s the scoop.

Publishing = protects the song itself and earns royalties whenever it’s played. That means every time your track hits the radio, gets streamed, or is used in a commercial, you get paid. A publishing house helps you register your songs, collect these royalties, and even pitch your music for licensing opportunities.

Label = helps you turn the song into a product (recording) and sell it to an audience. They can fund your recording, distribute your music, and market it to fans—but they often own the actual recording, not the song itself.

If you’re serious about keeping control of your creations and getting paid for every play, a publishing house is a smart move. Think of us as your partner in protecting your art, so you can focus on making music that moves people.

Thursday, 30 October 2025

 


1. Social isolation as a formative factor

  • Rory grows up largely outside a peer network. Her main companionship comes from Lorelai and family, which creates a social lens heavily influenced by adult perspectives.

  • She learns manners, humor, and problem-solving from adults rather than peers, giving her an intellectual maturity but limited early social “playground skills.”


2. Peer relationships are mostly new and deliberate

  • Dean, and later other peers like Lane, Jess, and Logan, are all introduced as “new” relationships, not continuations from childhood.

  • This allows the show to present her friendships and romances as conscious choices — Rory is actively building her social world instead of relying on long-standing bonds.

  • There’s an underlying tension: because she didn’t have a robust childhood peer network, she sometimes struggles with peer norms, jealousy, or romantic expectations (e.g., her early discomfort with Dean’s behavior, or her later awkwardness with Logan’s social world).


3. Romantic relationships as social experiments

  • Rory’s first romance with Dean highlights her inexperience: she approaches it cautiously and is guided by both curiosity and Lorelai’s advice.

  • Her limited peer background means she interprets romantic signals differently than someone with extensive childhood friendship experience — she doesn’t have a long history of negotiation, conflict resolution, or shared social context to draw on.


4. Friendships as deliberate character mirrors

  • Lane, Paris, and even Lorelai’s friends serve as mirrors to Rory’s own social learning. Their established personalities, cliques, or social expectations highlight what Rory lacks — shared history and peer grounding.

  • The show often uses Rory’s new relationships to dramatize her coming-of-age: each friendship or romance is a “test” of her emotional and social development, rather than a natural continuation of childhood bonds.


5. Long-term effects on identity

  • Rory’s reliance on adults early on fosters independence, ambition, and intellectual curiosity, but it also leaves gaps in her social self-confidence.

  • Her peer relationships are more fragile and more likely to reflect idealized notions of friendship or romance rather than realistic give-and-take rooted in childhood experience.

  • This partly explains some of the social and romantic missteps in later seasons — she’s learning from scratch in a world where others may have years of shared experience.


In short: Rory’s early lack of childhood friends is a deliberate narrative choice that makes her social development an active storyline. It emphasizes her unique relationship with her mother and sets up her adolescence as a period of conscious, sometimes awkward, experimentation in friendships and romance.


Wednesday, 29 October 2025

<table border="1" cellpadding="8" cellspacing="0" style="border-collapse: collapse; width: 100%;"> <thead> <tr style="background-color: #f2f2f2;"> <th>Risk Level</th> <th>Approach</th> <th>Time & Effort</th> <th>Probability of Success</th> <th>Potential Payoff</th> <th>Alignment with Rapid Fame</th> </tr> </thead> <tbody> <tr> <td>Low Risk</td> <td> • Submit songs to stock music libraries or indie/student projects<br> • Small-scale social media campaigns </td> <td>Low (1–2 hrs/week)</td> <td>High for small wins, low for broad fame</td> <td>Low–Moderate (minor exposure, small revenue)</td> <td>Poor – unlikely to break beyond core fans quickly</td> </tr> <tr> <td>Medium Risk</td> <td> • Target mid-tier indie films, TV shows, web series<br> • Pitch to music supervisors with prepared materials<br> • Collaborate with slightly larger artists </td> <td>Medium (3–5 hrs/week, some skill-building)</td> <td>Moderate – some placements likely, some may fail</td> <td>Moderate–High – placements could reach thousands, possibly viral</td> <td>Fair – accelerates visibility while safer than all-in gambles</td> </tr> <tr> <td>High Risk</td> <td> • Pitch to top-tier shows, streaming hits, or major films<br> • Hire PR/licensing reps for professional submissions<br> • Create viral campaigns or high-profile collaborations </td> <td>High (near full-time, high skill required)</td> <td>Low – highly competitive, many failures expected</td> <td>Very High – a single hit could exponentially increase fame and streams</td> <td>Excellent – fastest path to rapid fame but costly in effort & risk</td> </tr> </tbody> </table>

 

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OP CULTURE

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