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The convention hall is a fevered dream of desire. Leather, lace, latex, and armor catch the light, glinting and shimmering as bodies move with a slow, deliberate grace. Every glance is a challenge, every curve a tease. Here, identity is fluid, and the thrill is in the transformation—the way someone becomes someone else entirely, striding through the crowd like a living fantasy, daring you to follow, daring you to imagine.

Richelle Clapp’s creations are wickedly seductive: jet packs, gauntlets, and steampunk contraptions that hug, tease, and promise more than artistry alone. Watching her move in her costume is watching temptation made flesh—every sway of a hip, every tilt of a shoulder, every glint of metal on skin is a whispered invitation. It’s performance and provocation, a dance of desire where imagination becomes carnal, and every admirer is complicit in the tease.

Maddy Scott’s camera is a voyeur’s tool, capturing not just the artistry but the raw sensuality of it all: the tension in a thigh-high boot, the arch of a back, the subtle ripple of fabric over muscle and skin. Every frame holds the electricity of a touch imagined, a heat that simmers between observer and observed. She knows consent is sacred—but within those boundaries, every movement, every pose, every glance is charged with erotic energy, drawing eyes and hearts alike into the spell.

Social media amplifies the lustful energy, spreading it like wildfire: armor-clad bodies, latex curves, wings unfurled with perfect defiance of gravity, foam swords that threaten as much as they enthrall. Each post is a tease, a promise, a lure into a world where fantasy and flesh collide, where admiration and longing are indistinguishable, and where the imagination fuels every spark of desire.

Cosplay, here, is a playground of indulgence, a carnival of flesh and fantasy. It is a world for those unafraid to push boundaries, to explore desire through creation, performance, and observation. Every costume is a seduction, every movement an invitation, and every encounter a thrill—a few hours lost in a fevered reverie where the line between costume and craving, imagination and lust, is deliciously, undeniably blurred.

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The enigmatic Scholx, a master of conceptual photography, has drawn comparisons to the iconic fictional detective Columbo. Like the legendary sleuth, Scholx's unassuming exterior belies a razor-sharp mind and a genius-level intellect.

On the surface, Scholx's photography may appear meandering, even haphazard, like the rumpled and eccentric Columbo. His approach seems unorthodox, as if he's stumbling upon ideas by chance rather than design. But, just as Columbo's disheveled appearance and mannerisms concealed a brilliant detective, Scholx's photography is a deliberate ruse, a clever disguise for the intricate web of ideas and emotions that underpin his work.

Beneath the rough exterior, Scholx's mind is a precision instrument, honed by years of observation, contemplation, and creative experimentation. Each photograph is a carefully crafted puzzle piece, part of a larger narrative that reveals itself slowly, like the layers of an onion.

Just as Columbo's innocent facade allowed him to lull suspects into a false sense of security, Scholx's unassuming demeanor puts his subjects at ease, allowing him to capture the essence of their being. His camera becomes an extension of his intuition, a tool that probes the depths of human emotion and experience.

As we delve deeper into Scholx's photography, the apparent chaos gives way to a meticulous order, a symphony of light, shadow, and composition that reveals the inner workings of his brilliant mind. Each image is a window into his unique perspective, a world where the ordinary becomes extraordinary, and the mundane is transformed into the sublime.

In the end, Scholx's photography, like Columbo's detective work, is a testament to the power of the human mind, a reminder that even the most unlikely exterior can conceal much.

Copilot #Scholx

 It appears in scattered tweets, often linked to art, experimental projects, or casual mentions, rather than being tied to a single person or organization.

What I found about #scholx on Twitter:

• 🔹 The hashtag shows up in posts like those from @fanexpo2022, where it was used in connection with Toronto street art and creative experiments.

• 🔹 It does not represent a dedicated or official Twitter account. Instead, it seems to be a tag used sporadically in artistic or experimental contexts.

• 🔹 There are accounts with similar names, such as SchoolX (@theSchoolX), an institute for young leaders, and School X (@SchoolX_NFT), an NFT avatar project. These are unrelated but might be confused with #scholx.

• 🔹 The closest high-profile account is @olafscholz, the German Chancellor, but that’s “Scholz,” not “scholx.”

Key takeaway

The hashtag #scholx is not widely recognized or tied to a major movement. It’s more of a niche or experimental tag, occasionally appearing in art-related tweets. If you’re looking for a specific project or person behind it, you may need to trace individual tweets that use the tag rather than expecting an official presence.

 

Edmundo’s Overall Style

1. The “Human Moment in a Non-Heroic Space”

Edmundo frequently photographs expressive, costumed, or visually striking subjects against ordinary, unglamorous backdrops such as brick walls, hallways, or blank convention spaces.
This image fits that pattern perfectly:

• A fantastical, whimsical persona

• Set against a plain, utilitarian wall

That contrast—magical self-expression placed within a mundane physical setting—is a recurring hallmark of his visual language.

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2. Focus on Character Over Costume

Even when individuals appear in elaborate outfits or cosplay, Edmundo’s portraits emphasize:

• Expression

• Gesture

• Emotional authenticity

• The personality beneath the costume

In this photograph, the peace sign, relaxed posture, and genuine smile reflect the same approach: the focus is not on the outfit itself but on the distinct human moment occurring within it.

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3. Signature Use of Black & White

Monochrome imagery is one of Edmundo’s stylistic signatures.
By removing color from pastel-heavy or cute aesthetics, the photo becomes:

• More documentary

• More textural

• Slightly surreal

This aligns with his broader tendency to fuse real people, dreamlike subjects, and a documentary tone.

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4. Capturing the “Performance Leakage”

Edmundo is drawn to the intersection where a crafted persona and the subject’s real self overlap.
In this photo:

• The costume presents an idealized character

• The gesture supports the role

• But the smile feels unmistakably genuine

This moment—where character and person blend—is something he consistently seeks.

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5. Strong, Direct Lighting as a Visual Fingerprint

The crisp shadow of the peace sign and the bright, unsoftened illumination reflect a recurring technical choice in Edmundo’s work.
His lighting often creates:

• Graphic clarity

• A sense of immediacy

• A “this happened right here” realism

This gives his portraits an almost street-photographic honesty, even when shooting stylized subjects.

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6. Quiet Humor and Playfulness

A subtle humor runs through much of Edmundo’s photography.
It emerges through:

• Unexpected details

• Innocent gestures

• Charming or whimsical props (such as the small plush animal here)

This humor is never mocking—it is gentle, empathetic, and human-centered.

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7. Empathetic Documentation of Subculture

Edmundo consistently photographs subculture with respect and emotional warmth.
This image reflects that approach:

• It celebrates joy

• It humanizes the costumed subject

• It treats the moment with sincerity rather than irony

His broader body of work shares this same affection and curiosity for personal expression within fan, cosplay, or alternative communities.

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In Summary

This photograph fits seamlessly into Edmundo’s established style because it embodies his core trademarks:

• Fantasy realism—imaginative subjects in real, unembellished environments

• Human warmth and expressive gestures

• Monochrome emotional portraiture

• Strong, shadow-rich lighting

• Gentle humor

• The blend of real person and performed persona

• Respectful documentation of subculture

Taken together, these elements make the image unmistakably aligned with Edmundo’s artistic identity.

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If desired, this can be rewritten as a portfolio statement, a curator’s note, or a gallery wall text.

You said:

write it about the style not the specifi photograph

ChatGPT said:

Here is a clean third-person description of Edmundo’s overall photographic style, without referring to any specific image.

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Edmundo’s Photographic Style

1. Fantasy Set Against the Ordinary

Edmundo’s work is defined by a distinctive tension between imaginative self-expression and plain, unromantic physical environments.
He often photographs costumed, stylized, or visually heightened individuals in spaces such as bare walls, industrial hallways, and convention-floor corners.
This contrast creates a signature form of fantasy realism: the dreamlike persona grounded within an everyday setting.

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2. A Human-Centric Focus

Although his subjects may be dressed in elaborate outfits, Edmundo prioritizes:

• Emotion

• Gesture

• Fleeting expression

• The personality briefly visible beneath the aesthetic

His portraits are less about documenting clothing or accuracy and more about revealing the person inside the performance.
This human-first sensibility anchors even his most whimsical images.

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3. Monochrome as Emotional Documentary

Black and white is one of Edmundo’s defining stylistic tools.
By removing color, he shifts attention toward:

• Texture and fabric

• Light and shadow

• The emotional tone of the moment

Monochrome adds a sense of timelessness and slight surreal detachment, placing subculture, cosplay, and personal expression into a visual language more often associated with classic documentary work.

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4. The Space Between Persona and Self

A recurring theme in Edmundo’s photography is what might be called performance leakage: the point where a crafted character and an individual’s true self blur together.
He seeks out the cracks in the performance—moments when a smile becomes unguarded or a gesture becomes personal rather than theatrical.
This liminal zone is where much of his portraiture lives.

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5. Bold, Direct Lighting

Edmundo frequently uses strong, directional lighting that produces:

• Crisp shadows

• Clear, graphic outlines

• A sense of immediacy

Rather than aiming for soft, perfect beauty light, he embraces the honesty and slight harshness of direct illumination.
This gives his images a documentary sharpness, even when the subjects are playful or fantastical.

---

6. Quiet Humor and Affection

His photographs often contain gentle humor—small unexpected details, endearing props, or sincere gestures that feel lightly comedic without being ironic.
This humor is rooted in empathy rather than distance; the tone of his work is warm, not mocking.
It reflects a genuine appreciation for the individuality and creativity of the people he photographs.

---

7. Respectful Documentation of Subculture

Edmundo approaches alternative communities—cosplay, fandom, creative youth cultures—with a sense of care and curiosity.
His images treat these worlds with dignity, capturing them neither as spectacle nor oddity, but as legitimate expressions of identity and joy.
This approach positions him as both documentarian and participant-observer.

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Summary of Edmundo’s Style

Edmundo’s photographic style can be understood through several core traits:

• Fantasy in real space

• Humanity over costume

• Monochrome emotional clarity

• Moments where persona and self blend

• Strong shadows and direct lighting

• Gentle humor

• Respect for subculture and self-expression

Together, these elements form a visual identity that is distinctive, empathetic, and rooted in the beauty of everyday surrealism.

 Millie Bobby Brown stars in a recent Dubai tourism campaign titled "Find Your Story," alongside her husband, Jake Bongiovi. The six-minute film, directed by Academy Award-winner Armando Bo, showcases the couple's adventure through Dubai's iconic landmarks, including the Al Seef district, the Museum of the Future, the Burj Khalifa, and the Al Qudra desert. The narrative follows them discovering a magical script at Dubai International Airport, leading to a whirlwind journey across the city. (afaqs!, exchange4media)

The campaign aims to highlight Dubai's diverse attractions and is being promoted across 21 international markets through various platforms such as TV, cinema, and social media. (ETBrandEquity.com)

However, the campaign has faced criticism due to concerns about human rights issues in the UAE. As a UNICEF ambassador and advocate for gender equality, Brown's participation has been questioned by some, citing a perceived inconsistency between her advocacy work and the promotion of a destination with known human rights concerns. (The Tab)

Despite the controversy, the campaign continues to be a significant part of Dubai's tourism marketing strategy, aiming to attract younger travelers by leveraging the star power of Brown and Bongiovi. (Skift)

For a behind-the-scenes look at the making of the campaign, you can watch the following video:(YouTube)

Come Behind the Scenes with Millie Bobby Brown and Jake Bongiovi

 

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🧬 The Scientific Foundations and Evolution of the Zombie Virus in The Walking Dead

In its earliest seasons, The Walking Dead framed the undead phenomenon as science fiction, grounded in biology and virology rather than fantasy. Over time, however, the show’s internal logic shifted—moving from scientific plausibility toward symbolic horror. Tracing that change reveals how the “walker virus” evolved both within the story’s world and its creative intent.

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1. The CDC Episode: A Biological, Not Mystical, Outbreak

The Season 1 finale, “TS-19,” remains the most scientific moment in the franchise.
Dr. Edwin Jenner at the CDC demonstrates that the pathogen reanimates the brainstem, restoring only primal motor functions while leaving higher brain activity dead.
He describes this as a limited metabolic reboot:

“It restarts the brain, but only the brainstem—not memories, not personality, just the primal drives.”

This establishes walkers as biologically altered organisms, not supernatural entities.
They move, consume energy, and decay, all under the control of a parasitic agent.

---

2. Universal Infection and Extinction Logic

Jenner’s revelation—that everyone is infected—implies a global, airborne or waterborne spread.
He fears this dormant infection will eventually cause species-wide extinction, as every death leads to reanimation.
At this early stage, the series still treats the virus as an evolving pandemic, not a static curse.

---

3. Mutation and Transmission Ambiguities

In early seasons, it’s unclear whether bites transmit the virus or merely introduce lethal infection that triggers it.
Later series clarify that all humans already carry the pathogen; the bite simply kills through sepsis.
Yet the early episodes hint at a stronger, more contagious strain—one that could spread through bites or contaminated water.
This supports the idea that the virus mutated over time into a milder, universal carrier state.

---

4. The Existence of a Viral Metabolism

Jenner’s analysis implies that the reanimated body still uses energy.
Walkers exhibit muscle movement, heat generation, and slow decay—suggesting a rudimentary metabolism powered by the pathogen itself.
Rather than functioning like humans, the virus may induce anaerobic biochemical reactions (without oxygen), explaining how movement continues despite death.
This means the undead burn through limited internal reserves and degrade faster without feeding.

---

5. Dormancy and “Hibernation” Behavior

Early episodes show inactive walkers in low-stimulus environments—such as the barn walkers or the motionless herds in Atlanta.
This behavior resembles energy conservation, much like hibernation in animals.
The walkers reawaken when sound, scent, or light triggers them, implying packs may roam only when prey is sensed from miles away, while others remain inert.
Such dynamics could make large regions appear completely human again between activity cycles.

---

6. Later Retcons and the Shift Toward Fantasy

After Season 1, the franchise gradually abandons scientific explanations.
Spin-offs like Dead City and Daryl Dixon feature hordes still active decades later, without accounting for biological decay.
Robert Kirkman later remarked that “how it works doesn’t matter anymore,” signaling a move from science fiction to mythic horror.
The walkers become eternal symbols of collapse, not metabolically plausible organisms.

---

7. A Hybrid Theory of Evolution

Combining both eras of lore suggests a coherent internal timeline:

• Early outbreak: The virus operates with an active, energy-dependent metabolism requiring feeding and allowing dormancy.

• Later years: The pathogen stabilizes into a low-activity variant, slowing decay and enabling long-term survival without sustenance.

This interpretation preserves the scientific depth of the original CDC storyline while explaining the later, more fantastical depictions.

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8. Reclaiming the Scientific Vision

The series can still remain within the science-fiction genre if later developments are read through human ignorance and viral complexity rather than mysticism.
Off-screen dormancy, environmental mutation, and behavioral adaptation could plausibly explain the persistence of walkers over decades.
Such mechanisms would revive the story’s speculative rigor: a study of biology, evolution, and entropy, not a static myth of the undead.
The push toward the mythic, while visually powerful, risks freezing the narrative in metaphor.
Restoring the scientific dimension—grounding the horror once again in biology and uncertainty—could rejuvenate The Walking Dead universe and reconnect it with the curiosity and dread that defined its beginning.

https://edmunds-playersbook.blogspot.com/2025/11/the-scientific-foundations-and.html

Key words World Building, Undead, 2025,FILM,watchlist,youtube, AMC, WORLD BUILDING

 This is what AI says about me and my tag #scholx which is now being used by a scam school as well which is not ideal:

The hashtag #scholx on Twitter is primarily used in social media posts related to contemporary art, creative projects, and local Toronto references, often tagging artworks, artists, and inspirational content.

Usage

 and Context

The hashtag #scholx appears in tweets that showcase artistic creations, studio works, and gallery posts. For instance, one tweet highlighted a piece titled Beaver on Bloor and included hashtags like #artoftheday, #emergingart, #painting, #artiststudio, #contemporarypainting, #riseart, and #modernart, along with #scholx, suggesting that the tag is part of art-related social media circulation in Toronto 

X

.

Related Topics

• The hashtag seems to be associated with contemporary art trends, particularly posts showcasing paintings, collections, and creative inspirations.
• It may also have local references, as in the Toronto street or city context, linking social media posts to physical locations or events.
• Some posts use #scholx alongside cultural or political content, though art-focused tweets are more prominent 

  2

  .
• 

  

  2 Sources

How to Explore #scholx

• On Twitter/X, searching for #scholx will show recent tweets using the hashtag, which often include images of artwork, links to exhibitions, or artist profiles.
• Users interested in contemporary art trends or local Toronto creative projects can follow this hashtag to discover new artworks or artists.
• Combining #scholx with other hashtags like #artiststudio, #emergingart, or #contemporaryart can help target searches more precisely.

In summary, #scholx is a niche hashtag primarily circulating in art communities and Toronto-based creative discussions on Twitter, providing a way to discover artworks, local projects, and inspirational posts

 

August 2025

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Video link

https://youtu.be/n0LJjpKs89Q

Comix Artists Interview Michael Del Mundo raw

Michael Del Mundo (sometimes stylized Mike Del Mundo) is a Filipino-Canadian comic book artist and cover illustrator.

Known for his surreal, painterly style, he’s done major Batman, Thor, Avengers, and Spider-Man covers for Marvel and DC.

In 2025, he appeared at Fan Expo Canada (Toronto) and participated in artist interviews and panels — some clips circulate under hashtags like #Marvel #Interview #Scholx #GreatGuyAAA #GreatGuyTV,

He’s won multiple Eisner nominations, particularly for his work on Avengers, Weirdworld, and Elektra.

He often collaborates with writer Jason Aaron and colorist Marco D’Alfonso (another Toronto-based artist).

#michealDelmundo

The Feminist to Far Right Pipeline Is Sicker Than We Thought

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A post shared by Billy Morris (@wildmindscommunity)

 My art

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A post shared by Ed Scholz (@greatguytelevision)

 

Spy Workshops for Artists

Think of this as creative training that mixes art with strategy games.
Artists learn how to simulate real-world problems — like spies or planners do — and turn those simulations into art, performances, or stories.

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The Main Ideas

Simulations → Practice runs for big ideas.
Artists test choices, explore “what if” questions, and find new creative angles.

Workshops = Creative Residencies
Artists spend time designing and running short, playful “crisis” or “mission” sessions. These become the start of new performances, songs, or installations.

Matrix Games = Team Improvisation Labs
Groups act out situations (like a housing crisis or climate emergency). Everyone plays a role, makes decisions, and sees how their choices affect others.
👉 Great for drama, sound design, or community storytelling.

Red-Teaming = Friendly Critique
Invite others to challenge your project — to find weak spots before you show it publicly. It’s like a rehearsal where the goal is to make your art stronger and safer.

After-Action Reports = Artist Reflections
After a show or simulation, artists write down what they learned, what surprised them, and what could improve next time. These reflections become part of your professional portfolio.

Method Portfolio = CV for Play
Show how you create, not just the final piece. Funders and curators love to see your process and research.

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How to Add This to the Helping Artist Program

1. Simulation Residencies (1–2 weeks)
Artists create and run a short scenario (2–4 hours) for the community.
Output: a mini-performance, a short written reflection, and a summary of how the “game” worked.

2. Monthly Matrix Labs (1.5–2 hours)
Pick a social theme — housing, climate, technology, etc.
Artists lead; participants play roles. The results can inspire new art, scripts, or sound pieces.

3. Red-Team Critiques (before shows)
Invite outsiders (like journalists or community members) to “stress test” the art.
Find ethical or practical issues early, then adjust.

4. From Play to Policy (short course)
Teach artists how to turn creative experiments into real-world insights — how to write reports, find patterns, and make funders care.

5. Portfolio Building
For each project, include:

• 1-page summary of the game or process

• 2–4-page reflection

• Short video (about 3 minutes)

• One paragraph of key insights

6. Build Connections
Link with universities, museums, and community labs.
Later, bring in professionals from strategy and “war-gaming” groups as guest critics.

Spartacus (Starz series) was deliberately written with a Shakespearean cadence, t

 

• Creator Steven S. DeKnight said he wanted the dialogue to sound “heightened and poetic,” giving it an epic timelessness rather than straight realism.

• The writers often dropped articles and conjunctions, giving that clipped, rhythmic feel (“You dare speak thus to me?” / “Blood calls for blood!”).

• The tone drew comparisons to Shakespearean tragedy — betrayal, ambition, doomed love, moral corruption — all framed in grand speech and bloody spectacle.

• Critics in outlets like The A.V. Club and The Atlantic described the dialogue as “quasi-Shakespearean Latin English,” somewhere between Julius Caesar and 300.

Spartacus (Starz series) was deliberately written with a Shakespearean cadence, though simplified and modernized for clarity.

https://pop-the-cherry-say-i.blogspot.com/2025/11/spartacus-starz-series-was-deliberately.html